building tumbling down

The video carried on the dreamlike, almost hallucinatory quality inherent in the album's artwork. Directed by Mike Liscombe, who was given full creative license from Tori, the video is rich, multi-layered, and, according to Liscombe, "open to many interpretations." He feels that it represents "a surreal spiritual journey" and "the process of finding inner peace with oneself.". Tori says that Liscombe "wanted to take the video into a place that brings together the fight of the soul with the fight of the physical self." This concept manifests itself in recurring sequences of multiple Toris pushing, pulling, and being swept along with another Tori seated in a white armchair that is sliding back and forth along a leaf-strewn wooden floor. The field of vision twists and turns, rotating to show alternately the inside of the room and a vast expanse of water that ends in a waterfall. The cyclical nature of the song itself is perfectly suited to the rhythm of the video which Billboard magazine called "strange," "complicated," and "visually stunning." -- All These Years Biography

caught a lite sneeze
caught a lite breeze
caught a lightweight lightningseed
boys on my left side
boys on my right side
boys in the middle
and you're not here
i need a big loan
from the girl zone

building
tumbling down
didn't know our love was so small
couldn't stand at all
mr. st. john just bring your son

the spire is hot
and my cells can't feed
and you still got that belle
dragging your foots
i'm hiding it well sister ernestine
but i still got that belle
dragging my foots

right on time you get closer
and closer
called my name
but there's no way in
use that fame
rent your wife and kids today
maybe she will
maybe she will caught a lite sneeze
dreamed a little dream
made my own pretty hate machine
boys on my left side

boys on my right side
boys in the middle
and you're not here
boys in their dresses
and you're not here
i need a big loan
from the girl zone