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The video carried on the dreamlike, almost hallucinatory quality inherent in the album's artwork. Directed by Mike Liscombe, who was given full creative license from Tori, the video is rich, multi-layered, and, according to Liscombe, "open to many interpretations." He feels that it represents "a surreal spiritual journey" and "the process of finding inner peace with oneself.". Tori says that Liscombe "wanted to take the video into a place that brings together the fight of the soul with the fight of the physical self." This concept manifests itself in recurring sequences of multiple Toris pushing, pulling, and being swept along with another Tori seated in a white armchair that is sliding back and forth along a leaf-strewn wooden floor. The field of vision twists and turns, rotating to show alternately the inside of the room and a vast expanse of water that ends in a waterfall. The cyclical nature of the song itself is perfectly suited to the rhythm of the video which Billboard magazine called "strange," "complicated," and "visually stunning." -- All These Years Biographycaught a lite sneeze caught a lite breeze caught a lightweight lightningseed boys on my left side boys on my right side boys in the middle and you're not here i need a big loan from the girl zone building tumbling down didn't know our love was so small couldn't stand at all mr. st. john just bring your son the spire is hot and my cells can't feed and you still got that belle dragging your foots i'm hiding it well sister ernestine but i still got that belle dragging my foots right on time you get closer and closer called my name but there's no way in use that fame rent your wife and kids today maybe she will maybe she will caught a lite sneeze dreamed a little dream made my own pretty hate machine boys on my left side boys on my right side boys in the middle and you're not here boys in their dresses and you're not here i need a big loan from the girl zone

It's crunch time in the office again. I need all the inspiration I can get.